The Medieval Song Network maintains the following user-generated list of recent dissertations of interest to the community. To add details of a recent dissertation to this list, please click on "Bibliography" under the "Contribute Content" menu to the left-hand side of your screen, and add the citation details, selecting the "Thesis" publication type. The entry will then appear both in this list and in the main Bibliography.

Albritton BL. Translation and Parody: Responses to Machaut's 'Lay de confort'. In: Plumley Y, di Bacco G, Jossa S, editors. Citation, Intertextuality and Memory in the Middle Ages and Renaissance. Volume 1: Text, Music and Image from Machaut to Ariosto. Exeter: University of Exeter Press; 2011. p. 1-14. (Exeter Studies in Medieval Europe: History, Society and the Arts).
Butterfield A. The construction of textual form: cross-lingual citation in some medieval lyrics. In: Plumley Y, di Bacco G, Jossa S, editors. Citation, Intertextuality and Memory in the Middle Ages and Renaissance. Vol 1: Text, Music and Image from Machaut to Ariosto. Exeter; 2010.
Stoessel J. The Interpretation of Unusual Mensuration Signs in the Ars subtilior. In: Plumley Y, Stone A, editors. A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564) . Turnhout: Brepols; 2009. p. 179-202. (Epitome musical). Abstract
Plumley Y. Crossing the Channel: French Lyrics in England in the early Fifteenth Century. In: Ainsworth P, Croenen G, editors. Patrons, Authors and Workshops: Books and Book Production in Paris circa 1400. Leuven: Peeters; 2006.